CONFERENCE GOLD: Characterisation

This is a very brief summary of Bob Mayer's session on 'Writing your story in 3 dimensions: Characterisation.'

I stress brief because Bob provided copious helpful notes and I'm picking out a few main points I jotted down too.

-Everyone has a core motivation. Victor Frankl called this the 'One Thing'.
When a character reaches a moment of crisis, we discover their 'one thing'.

-Maslow's Hierarchy of Needs:
-What do you want?
-What do you really want?
-What do you need?

-Don't pitch plot, pitch character.

-Give the character an anomaly.

-In your first scene, what your character is doing sets your character.

-In your last scene, we need to see character doing something emotional they weren't capable of at the start. This demonstrates arc growth.

THE WRITE WHISPER: A gem of an idea

One of the most common questions I'm asked as an author is 'where do you get your ideas?'

The answer?

Everywhere! A glance, a couple holding hands, a newspaper headline, a magazine article or often in that strange half-awake/half-asleep state where I scramble frantically for a pen and pad in the dark and scribble down that nebulous idea/opening line/title before it fades (I'm always scared I'll forget it by morning if I don't write it down!)

Right, so you have your idea.
Where do you start?

Last year, I wrote an article for Romance Writers of Australia's monthly journal on 'What Drives Your Story?'

The article revolved around plot driven stories versus character driven stories.
For me, I'd come up with an idea and immediately dive into the plot, imagining what my characters would do in such a scenario.
For others, the characters strut into their mind larger than life and a plot develops from there.

As writers, we all have tried and true ways of doing things. You'll know if you're a plot or character driven writer; it's what comes easiest to you. That is, after you come up with an idea, which do you find easier, coming up with a plot or the characters?

So what happens when we shake things up a little?

Next time you have a gem of an idea, try this:

If you're a plot driven writer, let your characters drive the story.

If you're a character driven writer, play around with the plot first.

You'll be amazed at how a fresh approach can inject a bit of 'oomph' into your writing.
And we're always learning, right?

Ideally, every story we write needs to be character driven.
We want to create believable, real, compelling characters that keep readers turning pages long into the night.
And that comes back to motivation, mentioned in an earlier post.

Whether you're a plot or character driven writer, motivation is what drives our characters, what keeps them believable, what makes them leap of the page and into the readers' hearts.

But in the early stages, when that new, nebulous idea has shimmered into your mind, play around, shake things up and see where your gem can take you.

That's my 'write whisper' for this week.

Pre-preparation

Margaret wants to know:

Collage, interview with characters. I'd be interested to hear how much preparation you do, Nicola, before you start to write? Do you plot your story out in detail or write into the mist? I know you write very quickly so I guess you must have some idea of how it's going to pan out.

I used to be a confirmed plotter.

Yes, I had an idea of key scenes (though not the whole book.)

Yes, I'd jot down one or two lines per chapter (though this tended to happen more when I got a bit stuck in the 'sagging middle')

And yes, I'd start with a 2 page proposal (with pics of hero and heroine) having some idea where the book was heading.

Then after a mid-07 chat with my last ed, I've changed how I work.

My books were plot driven.

She suggested I go with character, hence the change in my preparation. For my last 2 books, I started with character: did the interviews, knew them inside out before starting.

So how did that work out? Well, I'm waiting to hear back from new ed on both those books so I'll let you know ;)

The collaging is fun and gives me a 'mood' for the book, so I've done a collage for my last 4 books.

The character preparation is way more time consuming than anything I used to do (I spent hours last night, on top of previous hours!) but I now feel confident to tackle THE DATING DILEMMA, knowing Bryce and Eve are going to leap off the page.

I hope!

So do I plot in detail? No.

But rest assured, once I start this one and the thrill of the first few chapters has faded, I'll be jotting down that brief chapter by chapter outline, whether I stick to it or not. :)

So how do you do it? Are you a plotter or a pantser or a little of both?

COVER TO COVER: Who's that shady character?

Now that I've established COURTING CUPID would be character driven, I needed to flesh out my divorced heroine and my laid-back hero.

To do this, I came up with 4 adjectives that would describe each of them:

HEROINE: headstrong, tenacious, prickly, cynical

HERO: confident, laid-back, protective, romantic

For me, this instantly evoked an image of both characters and I proceeded to match my image of the hero and heroine to pictures. As you can see, I think the pictures give off the vibe of my description too.

Sandra Bullock was the perfect choice for my headstrong heroine and Matthew Fox the laid-back hero.

I will use these pics to encapsulate what my characters are like at a glance, so as I'm writing I can take a quick look at them to get a feel for their personalities. While finding these pics, I saved loads more and there are a few of Matthew Fox which showed my hero EXACTLY as a I pictured him (on a beach, with business shirt sleeves rolled up, loosened tie-my hero is a workaholic after a sea change) but more on this when I show you the collage.

So now that I have the basics, it's time to flesh out even more. To do this I've tried a new method for me, the character interview. This involves sitting down with a piece of paper and a list of questions and doing exactly that: interviewing your characters. Discovering their greatest fear, worst thing that could happen to them, the single event that would throw their life into turmoil, etc...

I did a fair amount of research on the Internet for characterisation and made a compilation of resources I now refer to. Well worth the time invested as you get many authors' viewpoints on this broad subject. And you get to gather the info you think will be most relevant to you.

Some people use character charts (I used to when I first started writing), some people delve into the elaborate world of their characters' psyche. My advice would be find the method that works for you.

Though the character interview seems like a lot of work at the start, I'm finding it helpful to refer back to any time I need to get a handle on my characters' motivations. And to up the ante.

Next up, the names.

Which is another topic in itself for tomorrow!